The show is a collection of five stories drawn from Asia, including:

Croc Doesn’t Eat Chicken!

Roger’s version is from Malaysia: hungry crocodile wants to crunch juicy chicken but as she’s about to gulp her down, chicken pleads, “Don’t eat me – don’t eat your little sister!” What a problem for croc (not the jungle’s brainiest creature!) Is she really her sister? Or is this a trick? (After all, she’s got feathers, croc’s got fur.) It takes croc’s friend iguana the lizard to provide the surprising answer.

Zoologists may disagree, but audiences everywhere realise that it’s not the feathers/scales that divides them but being egg–laying creatures that unites them.

Father Of Aloi Goes Hunting

From the Dayak of Sarawak, a tall tale of the lazy Father of Aloi who goes hunting with his blow–pipe and finds himself flying with the birds. When he returns to earth, he is mistaken for a god. It takes a short sharp ‘blow’ from his wife (with the help of the pipe!) to really bring Father of Aloi down to earth!

Beware The Uwabami

The uwabami is a Japanese creature able to change shape. When it confronts a young Noh actor, he uses his masks to convince the uwabami that he also possesses great powers. Not only does the quick-witted actor escape, but he also manages to arrange a dramatic reversal of fortune.

The Magic Paintbrush

Ma Liang is a Chinese boy who loves to paint. Given a magical brush that creates pictures that leap to life, he helps the poor by painting a chicken (for fresh eggs) an axe (for cutting firewood.) Commanded by the Emperor to paint a tree of golden coins, Ma Liang refuses – and finds a new use for his magic paintbrush for the benefit of everyone (except the Emperor!)